Lattanzio Blog

Lotus Room

Lotus Room

http://vimeo.com/28172586

RGB light and color light therapy in Lotus Room environment

Red, Blue, Yellow. Primary colors you learn to mix in grade school.  But what if you mixed red with green and got yellow? That is what happens with spectral color- RGB color that I use in my light environment, Lotus Room.

The RGB color model is additive in the sense that the three light beams are added together, and their light spectra add, wavelength for wavelength, to make the final color’s spectrum
The RGB color model is based on the Young–Helmholtz theory of trichromatic color vision, developed by Thomas Young and Hermann Helmholtz, in the early to mid nineteenth century, and on James Clerk Maxwell’s color triangle that elaborated that theory (circa 1860).
The normal three kinds of light-sensitive photoreceptor cells in the human eye (cone cells) respond most to yellow (long wavelength), green (medium), and violet (short) light (peak wavelengths near 570 nm, 540 nm and 440 nm, respectively). The difference in the signals received from the three kinds of light waves allow the brain to differentiate a wide gamut of different colors, while being most sensitive to yellowish-green light and to differences between hues in the green-to-orange region.
In Lotus Room- I started by exploring the use of spectral color in “painting” my 3-d line sculptures. Working with spectral color, I researched and borrowed ideas about color light therapy and its effects on the human psyche– I love blue- but why? And what does blue do for me when I look at it mentally as well as physically? This exploration of color light therapy takes my art beyond the pretty surface factor to one of… well, Ill let you decide.  To read more detail of color light therapy see the below article that gives a brief history as well as a color chart and Chakra listing:
http://en.wikipedia.org/wiki/Chromotherapy
For you skeptics here is a short article from the Mayo clinic about light therapy:
http://www.mayoclinic.com/health/light-therapy/MY00195
Lotus room utilizes dmx led lights (lights that are addressable and therefore programmable). David Neale and Brad Littiken of BUYLEDS are my source for these lights as well as experts in helping to program the algorithms and sequences I use in Lotus Room.
Pulse all the lights so the show begins all white- use quick changes like quick editing in movies to stimulate/disturb the eye/mind.  Focus on colors of warmth, then slowly bring the warm colors to a slower, more peaceful pace before moving color into cooler, tranquil colors. I like this form of painting because its fluid and full of motion.

The end of the nineties and the first decade of this century saw the rise of the media room and the boom of the entertainment escape.  Can a light room with programmable lights be the next big thing for aging boomers who embrace technology to improve health and quality of life?

col·lab·o·ra·tion

col·lab·o·ra·tion

1. The action of working with someone to produce or create something. 2. Something produced or created in this way.

Pictured here is the “Sadie Settee”- The settee is made from furniture grade alder wood with mortise and tenon joints, wood glue, screws and painted with premium lacquer. The seat is hard foam on plywood and covered in Italian silk imported from a Swiss company. Nice- but how this settee came to exist is the story of collaboration.

A friend of mine- Kathy Hatcher, of Hatcher Design Group, called and invited me over to her friend’s home. At the home-Kathy and her friend walked me around the room they were working on. I saw a mini- grand piano in beautiful red lacquer, an abstract painting by my friend Christopher Martin hanging over the mantel, and a lounge chair that was going to be recovered. There was a need for a settee with certain size parameters that kept the flow and the line of sight in the room right. Ideas and stories were shared that explained the lifestyle of the homeowners; and a tour of the house further revealed the lines of this lifestyle. All told, our visit lasted about 40 minutes. 

Back at the studio I did a little research to make sure my idea matched their vision (a few pictures of settees with characteristics of line and style were sent to Kathy to lock in the right direction for sketching this settee). Upon confirmation, two sketches were completed- and from those the final design was determined.
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The finish on the settee was supposed to be an orange/red stain, but once the fabric arrived I immediately saw that it would not work- (too much grain showing that fought the fabric).  Rather than continuing with the project- I stopped, took the original stain samples (on extra piece of alder from settee wood) and also selected 8 paint cards based on fabric that ranged from orange through red-blue.

Kathy sorted through the colors and samples I brought- saving her time from having to run out and do this herself- and picked the deep, rich color you see on the settee. The color worked beautifully with the fabric as well as the other finishes in the room. And this collaboration produced a happy homeowner and designer with a piece of furniture that was on time and on budget. What more can you ask for?

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